Movie quote from: Lust for Life (1956) – Anton Mauve (Noel Purcell)
Early in the movie Lust for Life, young Vincent Van Gogh consults the Dutch artist Anton Mauve for advice on how to achieve excellence in the field of art. Mauve recognized the honest emotion of Van Gogh’s crude but interesting drawings. He reminds Vincent that ‘passion’ is not enough if he wants to excel in his field, he must also become more skilled in the pure craft of artistic expression. His advice is sound – excellent work is usually a combination of strong skills and a love of the occupation. However, he missed one key component for achieving professional genius, a characteristic that Van Gogh draws upon throughout the movie.

TIME magazine has chosen YOU as their annual Person of the Year. Each of us controls the emerging Information Age. We control the way our own lives unfold. We control the planet - one person at a time. We are the director and star of our own lives. I'm not sure what took TIME so long to come to this understanding. Movies have been telling us this for quite a while. Here are five movie quotes about TIME's Person of the Year - YOU.
Mel Gibson keeps re-inventing himself.
In Steven Spielberg’s thought-provoking movie Munich, Golda Meir is not the role model we’d like for our children.
In the movie Forrest Gump, Forrest asks his mother what his destiny will be. She responds with the now-famous line, "Life is a box of chocolates, Forrest. You never know what you're gonna get." Forrest is unsure of this perspective. It differs from what he has heard from Lieutenant Dan - a man who believes, "We all have a destiny. Nothing just happens, it's all part of a plan." Choice or destiny - what most shapes our lives? Who would have thought the answer would arrive later in this same movie.
If you want to see what happens when you give a child anything he/she wants, watch King Henry VIII’s behavior in the film, Anne of the Thousand Days.
The Weather Man features Nicolas Cage as a TV personality who does not value the person he has become. Compared to his father, a Pulitzer Prize winning author, his life seems insignificant. He spends his day making hopeless attempts to impress his disappointed father, his two troubled children, and his embittered ex-wife. His search for meaning is focused in all the wrong places. 
In Vincente Minnelli's 1952 classic, 'The Bad and the Beautiful', a producer's ruthless professional practices have left many former colleagues unwilling to work with him. This proves fatal, as life circumstances unfold where their support is required. It is a classic movie supportive of the old adage, "What goes around, comes around."